Red Rocks Amphitheater was built for Umphrey’s McGee.  Well, more likely, in their 12th year as a band, Umphrey’s has meticulously groomed themselves to the point that the fruits of their labor are best understood within the walls of  the naturally acoustic canvas provided at The Rocks.  Nestled ...view article

Fourteen months ago, on Halloween, Umphrey's McGee played one of the most impressive shows I'd ever seen.  The buzz surrounding the event was undeniable and the actual show was religious.  At the time the band was on the precipice of some major changes.  Light design artist Jefferson Waful was ...view article

We rose some time after dawn in a small bed and breakfast lodge in Sacramento and I was still suffering a bit of barrel fever from all the whiskey I'd drowned myself in the night before.  We had traveled East from San Francisco through the night to get a jump on the day.  We'd be riding plum through ...view article

It is comforting to hear those magical words "Welcome to the Fillmore" as the excitement peaks for the next episode of the San Francisco musical saga.  On this Thursday night Moe. returned to the hallowed hall of rock and roll for the who-knows-how-many time to give fans of the band, fans of rock ...view article

The excitement can be seen on every one of the other 49 faces in the Crystal Ballroom's waiting area as the anticipation for the Umphrey's McGee's second StewArt event reaches it's peak. After a few moments, the door opens and pianist Joel Cummins enters the room first, followed closely by the rest ...view article

Anticipation builds as we wind through the mountains along highway 70 from Denver to Aspen on the way to see arguably the best live band on the circuit today: Umphrey's McGee.  It is somewhat trademark of Umphrey's to not just play these remote venues, but to make everyone who came all the way out ...view article

My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans.  MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article

As the sun dropped behind the thick timberland's of the northwestern mitten, Umphrey’s McGee came out as cool as the air.  Kris Myers and Joel Cummins were facing a double-header of music that evening, as they had just wrapped up another amazing set with their other project, Digital Tape Machine, ...view article