My first exposure to the avant-garde jazz trio Medeski Martin and Wood (conveniently known as MMW) was at the State Palace Theater during a Jazz Fest weekend in 1999 New Orleans. MMW was still relatively new, but had the distinction of opening for Phish in 1995, which stamped them with the Phish ...view article
As the sun dropped behind the thick timberland's of the northwestern mitten, Umphrey’s McGee came out as cool as the air. Kris Myers and Joel Cummins were facing a double-header of music that evening, as they had just wrapped up another amazing set with their other project, Digital Tape Machine, ...view article
The excitement can be seen on every one of the other 49 faces in the Crystal Ballroom's waiting area as the anticipation for the Umphrey's McGee's second StewArt event reaches it's peak. After a few moments, the door opens and pianist Joel Cummins enters the room first, followed closely by the rest ...view article
It is nearly 2 a.m. in a gleaming warehouse perched at the Northeast edge of the San Francisco Bay. On the dock, infernos rage from steel barrels, spewing molten fireflies by the dozens with the wind’s every frigid breath as the building’s vibrations and rumbles only hint at the possibilities ...view article
Over the past three years, Bear Creek has increasingly become the staple festival of the southeast. With festivals such as Langerado taking steps towards extinction, Bear Creek has flourished, and has put together lineups that seem to outdo years past, which seems hard to believe. The heavy hitting ...view article
Get it while it’s hot people! Yep, Umphrey’s McGee is as fiery as ever, and was hot as blazes in the ragin’ cajun and cool as a cucumber House of Blues in New Orleans. After a wild day and a half of Bourbon Street seafood, cover band, stripper and overdosed slushy shenanigans (I’m talking ...view article